Monday 26 April 2010

The Body Used in Different Art Forms, Reflecting Imagery from a Fairy Tale


I have collected together some images which I feel have contrasts between light and dark in connection with the use of the body.

Images have been used from Alexander Mc Queen, Ros Shiers, Dan Hillier, Rock and Royals, Gemma Compton, Lady Gaga and Florence and the Machine.


Alexander Mc Queen was heavily inspired by fairy tales, which is seen in his work - especially in his amazing dresses, but also subtly - in his trademark logo of a skull.


I find skulls are a big symbol for poison and death, and therefore a big element of a fairy tale. I love the ways Mc Queen uses them. They appear in his jewellery, accessories, and prints for his clothing.


The fabrics are very inspiring.

The fabric above I love, its from one of his scarves, and you can see in the print the juxtaposition of both skulls and flowers. This is a perfect contrast which I am looking for - the combination of imagery with the deathly skull and the beautiful flower which is in full bloom and full of life. Applying this idea and piece to a fairytale works really well - fairy tales always have an issue in them with near death experiences, however they always turn out happily ever after in the end, so there is the mixture of death and life in a fairy tale.

I love this scarf and I will take this with me as an influence for when I begin to make something.

The prints below are really interesting as they are so contrasting to the print of the fabric above. This time they are really abstract. However, from looking at the patterns below, I can clearly see an element of the body involved. I think they look like they were taken originally from a skull, or a scan of a brain, and then reflected and then reflected again. I think this is an interesting way of developing something further, therefore highly inspirational again.

Its a way of disguise - so clever. Turning something so evil into something so beautiful and unrecognisable.


This illustration below is by Gemma Compton and I like how she has merged elements which don't belong, onto the top of the human face. This is unusual looking and with the inspiration of Ros Shiers below Gemma's, I feel this concept would work well with art work in the future.


The illustration below by Ros Shiers stood out to me because of how a bone structure able to be seen subtly through the figure itself. I like that detail was used for highlighted in the ribs, as these bones are protective of the lungs and heart (featured in Snow White). I feel this idea of layering the body with whats underneath is a good idea that I can translate into my project.



Theres a lot of influence from fairy tales in Florence and the Machines music, and all elements surrounding. The most noticeable thing is the lungs. This is interesting due to the emphasis in Snow White. I like the ways she has incorporated the lungs in the artwork, she has managed to make it a beautiful symbol.





The clothing here which Lady Gaga is wearing is definitely an interesting idea. I love the idea of the external skeleton. This goes quite well in line with Florence and the Machines costume of the external lungs. I will have to take this idea and be influenced to make something.

Use of The Body.

In a fairy tale, the body has a massive importance.

A lot of the stories revolve around the body (Snow White's vanity, the need to be beautiful, the queen wanting her killed with her lungs/heart brought back for her. Skulls = Poison (apple) = Death... Little Red Riding Hoods was beautiful thus attracting the wolf who then raped her...)

It's no wonder then that a lot of the influences and links between the new medias and the fairy tales, revolve around or incorporate the body in some way..

I will now start a 'chapter' for my project starting on the theme of the body.

hair eyes lips skin bone organs blood beauty vanity perfection

Wednesday 21 April 2010

Vogue Mood Board


'It is these gentle wolves who are the most dangerous ones of all.'



I saw this photography in the April 1o UK edition of Vogue and I instantly related it to my project. The attention to detail for the set up is amazing-the make up and the fashion. The light and the skin tone is quite ghostly but it is offset by the vividly deep colour from the clothing. However there is a contrast to this vivid colour, with the use of delicate colours and fabrics. The composition of the outfits are so thought out.


I found these images inspiring for a number of reasons. And besides the beautiful photography and overall look, it is the clothing. The fabric used - silk/cotton/velvet, why was this particular fabric chosen for a specific piece, and what effect does it give? Is it romantic and loose and sheer, or is it tight, stretched and harsh? And how does this contribute to the mood? It is all these things which have gotten my mind going, thinking about the possibilities, and the importance of colour, material and mood given.


I wrote 'it is these gentle wolves who are the most dangerous ones of all' as I feel she needs to be warned so as to not make herself a victim, as in Little Red Riding Hood.


I love the ruffles, folds, embellishments and the depth. This can be seen in the beautiful design of the garments, as well as the set up of the set. I shall now be influenced by this photo shoot to make something.

Monday 19 April 2010

The Unconscious Mind VERY IMPORTANT RESEARCH!

VERY SIGNIFICANT RESEARCH WHICH SETS UP THE BASIS OF THE MEANING BEHIND MY PROJECT!

Freud and Jung

Sigmund Freud was the most influential controversial figure in the 20th Century, because of his psychological theories. He was dealing with psychological theories problems which hadn't properly been explored and so therefore it caused a lot of interest.

Carl Jung was another psychologist at the same time as Freud. Jung was very interested in Freud's theories, and worked with him for seven years. However, Jung started to oppose Freud's theories, believing they were wrong, and their friendship ended. He believed Freud's ideas were overtly negative.

Freud's Theories

'the unconscious mind'

The Freudian Slip

Everyone will have experienced saying something by mistake. e.g - calling a Freud by another friends name... and Freud believed these misstatements reveal your underlying thoughts and feelings. He truly believed your inner forces outside of your awareness are what dictates your behaviour on the surface.

Freud's ideas had a massive impact on sociology, anthropology, literature and art.

Conscious Vs Unconscious

Our conscious mind is rational, and aware.

Our unconscious mind is a reservoir of feelings, thoughts, urges, memories outside our awareness. Most things outside of our conscious are unacceptable and unpleasant. -pain/anxiety/conflict

Our unconsciousness is more aware of our discomforts than comforts.
Our unconscious behaviour is being influenced before being aware ourselves of the influences.

Instinct

Instincts are a big part of the unconscious mind, as we don't have much control or though over them. Freud belived instincts fell into two categories: life and death.

Life

Our life instincts are basic survival. -hunger/thirst/pain
-love and co operation - sexual instincts
life instincts are what keeps us alive, as well as bringing life to a new generation.

Death

This class of instinct is a little more complex.

'the goal of all life is death'

Freud believed everyone holds an unconscious decision to die, however this wish is distracted by our life instincts - so you just move round in circles.
Death instincts are expressed with self destructive behaviour, aggression and violence.

'one feels inclined to say that the intention that man should be happy, but it is not included in the plan of creation' Sigmund Freud, 1930.

Linking Everything Together

I have found that from analysing fairy tales, that beneath the lines, to our subconscious, they are very dark and negative, however on the surface they are more positive

The contrasts between life and death in fairy tales, is an excellent representation of the theories of the unconscious mind by Freud.

So by using imagery (very subtle) from fairy tales, representing 'darkness in disguise' which will be about juxtaposing different elements to create some surreal ideas - and to show negative with a streak of positive, and vice versa.

I hope for my outcomes to be subtle, so I need influences coming from all sorts of places.

Other Influential Artists/Illustrators/Designers

Container PLUS. Nadia Flower. Dan Hillier. Catherine Campbell. Kneil Melicano. Le Jardin De Miss Clara. Courtney Brims. Aya Kato. Stephen Rhodes. Mia Marie Overgaard. Rob Ryan. Laetita Mieral. Paula Castro. Tabitha Emma. Gemma Compton.

Other Influenced Fashion and Jewellery Designers

Vivian Westwood. Wildfox. Illustrated People. Christian Louboutin. Mardeu. Kate Halfpenny. Tom Binns. Galliano. Servane Gaxotte. Untamed Menagerie. Galibardy. Eclectic Eccentricity. Clemmie James.

Influential Celebrity Wearers of Innovative Fashion:
Lady Gaga. Katy Perry. Lily Allen

Influences for 'Darkness in Disguise' in Fashion

Designers


Original. Gothic Horror. Raw. Stimulating. Unsettling. Natural World. Dangerous. Sensual. Fragile. Half Woman Half Christmas. Fearsomely Beautiful. Sexual Awakening. Tough But Romantic. Blood. Skulls. Daring.

'Like Fashion's Hansel And Gretel, They [Alexander McQueen] Created Their Own World Enchanting, Enticing And Scary. And Some Of Us Followed Gladly, While Others Hovered Timorously On The Edge Of The Dark Forest.'



These are two dresses designed by Alexander McQueen. I think they are both two excellent examples of where you can see a link between a fairytale and an art form. The top dress of the two is like a meadow from within a forest of a fairytale. It's so delicate and intricate, yet so vast at the same time. Two contrasts.

The second dress of the two is my favourite, and extremely influential. The layers of fabric which falls from the waist, the colour of the fabric, and how there are horns with more fabric draped over the top creates an amazing shape, and it incorporates the animal element within a fairy tale, with the beauty and the fantasy. Juxtaposing the antlers onto a human is wonderful. I will use take this idea and use it a lot for my future ideas.

Alexander McQueen is known for his darkness, no one can relate to 'Darkness in Disguise' better than him.




The trademark of McQueen is a skull. I think this is an important symbol within a fairy tale as it is associated with poison and death, which ultimately never happens in a tale, but there is always the evil element inside which is 'disguised'. A skull is the ultimate symbol of evil, and I love how McQueen uses it within his design.

A skull should be a key feature for my own work.

Legs Heads and Ceramics - Darkness Juxtaposed


Under Growth Design Plates

I love how the body has been juxtaposed onto something where you wouldn't expect it to be. It works so well, especially as the body and beauty is one of the key elements I need to think about, from the underlying theme of Snow White and Little Red Riding Hood.

Influential Magazine Photoshoots



The photo's from this shoot are gorgeous. The colours are so rich and vibrant, however the shadows make the over all image look sinister and haunting. I think Little Red Riding Hood is portrayed really well, she looks oblivious to the evilness of the wolf.

Vogue are known for their high budget fashion shoots, and in the UK April issue, even the set ups are very reminiscent of a modern day fairytale. It's all very decadent, expensive and embellished.

The link is too direct between fairy tale and outcome, however I thought it would be interesting to see how a fairy tale as dark as Little Red Riding Hood could be portrayed in an artistic way.


Harpers Bazaar - Tim Burton Tricks and Treats


These images shot by Tim Walker are amazing, they are so haunting and vivid. The skulls really add drama to the composition as they tower over the model. I love the dress in the top picture, it's a big contrast to what else is happening in the picture as it's so delicate.

Here is a great example of beauty, death, dark and light all juxtaposed together in one piece. Flowers and Skulls. Drama and Delicateness.

Advertising



Dark. Dramatic. Mysterious. Poisonous. Deadly

I think this advert pretty much sums up the feeling I want to create - darkness juxtaposed with beauty and power.


Sunday 18 April 2010

Music

Florence and the Machine

Coffins. Moon. Stars. Blood. Teeth. Sighing. Silence In Between. Wedding Dresses. Website Imagery. Dream Like. Atmospheric. Harps. String Quartets. Stamping. Glorious. Love. Pain. Haunting. Album Artwork. Beautiful. Choirs. Lyrics. Lambs. Lungs. Website Imagery. Album Artwork. 'Gothic Imagery of Fairy Tale Flights of Fantasy.'

'Lets talk about magic. Because music, at it's best is a kind of magic that lifts you up and takes you somewhere else.' Florence Welch

Florence and the Machine Site


Bat For Lashes

Fur and Gold. Blurred. Haunting. Feathers. Make Believe. Stormy. Mystique. Space. Violas. Violins. Dreamlike. Horses. Harp. Fragile. Trauma. Bears. Forest. Atmosphere. Glitter. Emotional. Ghostly. Moody.

'Fairytales and Dark Teenage Influences'

'This song seems to come from the world of the Grimms fairytales, and I feel like a wolf.' Thom York on song 'Daniel'.


Bat For Lashes Website

Both of these music artists are inspiring for me because of their dark undertones, they sound floral and pretty but at the same time, I know there is much more to them that is just whats on the surface. This is what my whole project is about.

Places to be Inspired...

I have researched and read a number of tales, and now I need to start being inspired to do artwork. I will look at artists and designers, but I will also look for inspiration in less art related things also.

Accumulated Fairytale Imagery

Brainstorm of Imagery from the Tales I Read and Researched..

Castle, Beautiful Rooms with Beautiful Furniture, Fairies, Secret Passages, Handsome Prince, Princess, Spindle, Golden Carriage, Pumpkin, Glass Slipper, Mice, Rags for Clothes, Clocks, Elegant Ball gowns, Jewellery, Rose, Mirror, Beast, Enchanted Forest, Cottage, Talking Trees and Animals, Wolf, Red Cloak, Flowers, Basket, Bed, Magic Mirror, Comb, Apple, Lungs, Heart, Wild Boar, Skull, Corset, Glass Coffin, Poison, Red Lips, Beauty, Perfection, Blood, Long Flowing Hair, Temptation, Delectable Food, Evil Queen, Spiral Staircase...

My brain is already working on overload just thinking about the possibilities of all these associations...

Monday 5 April 2010

Comparisons Between Little Red Riding Hood and Snow White

There are some clear links between the two stories.

1. Being re-born

Both their journeys prior to them being re born into the mature women they become, starts off in a forest. By the time they make it out, they have grown up from a girl to a woman, older and wiser.

Both Little Red Riding Hood and Snow White are naive and go against the moral warnings set for them. However they both learn from the mistakes, and once they have matured in their mind, they are re born to start life over again, however much wiser this time round.

Being re born is their transition from a girl to a woman, not just mentally but also physically.

2. Desire

Both the girls start off pre-adolescent and therefore innocent. However there is the element of desire running through the stories, in more ways than it just being a sexual desire.

Snow White desires to be seen as beautiful, and will do silly things (accept corset tightening and hair to be combed by a stranger) for people to be attracted to her. It is a trait of hers which began as a child with her mothers magic mirror.

Both the girls have a desire to please others. They don't want to let people down and this means they are unable to distinguish between friend or fo. Little Red Riding Hood is polite to the wolf, and Snow White is polite to the old woman (evil stepmother).

The enemies (wolf and stepmother) have a desire to kill. The step-mother is purely jealous of Snow Whites beauty and her desire is to be the fairest of them all. The wolf is hungry and has a desire to consume Little Red Riding Hood (this is a metaphor for wanting Little Red Riding Hood sexually, and raping her).

Both of the desires from their enemies stem from the girls beauty

I think that Snow White will be a very good story for me to be influenced from in terms of the symbolisms, they all relate to beauty, nature and the body, which are interesting also for artistic outcomes.

Snow White and the Seven Dwarfs Analysis

Once upon a time a queen sat at a window sewing, and the frame of the window was made of black ebony. And whilst she was sewing and looking out of the window at the snow, she pricked her finger with the needle, and three drops of blood fell upon the snow. And the red looked pretty upon the white snow, and she thought to herself, "Would that I had a child as white as snow, as red as blood, and as black as the wood of the window-frame."

Soon after that she had a little daughter, who was as white as snow, and as red as blood, and her hair was as black as ebony; and she was therefore called Little Snow-white. And when the child was born, the Queen died.

After a year had passed the King took to himself another wife. She was a beautiful woman, but proud and haughty, and she could not bear that anyone else should surpass her in beauty. She had a wonderful looking-glass, the mirror represents the seeking of approval from the father who is absent in the story, but in their own conciense. it is a big fight for his approval and when she stood in front of it and looked at herself in it, and said --
"Looking-glass, Looking-glass, on the wall, who in this land is the fairest of all?"
the looking-glass answered -- in other cultures it is believed th reflection represents the soul-which is why it's bad luck to break a mirror
"Thou, O Queen, art the fairest of all!"

Then she was satisfied, for she knew that the looking-glass spoke the truth.
But Snow-white was growing up, and grew more and more beautiful; and when she was seven years old she was as beautiful as the day, and more beautiful than the Queen herself. And once when the Queen asked her looking-glass --
"Looking-glass, Looking-glass, on the wall, who in this land is the fairest of all?"
it answered --
"Thou art fairer than all who are here, Lady Queen. But more beautiful still is Snow-white, as I ween."
Then the Queen was shocked, and turned yellow and green with envy. From that hour, whenever she looked at Snow-white, her heart heaved in her breast; she hated the girl so much.

And envy and pride grew higher and higher in her heart like a weed, so that she had no peace day or night. She called a huntsman, and said, "Take the child in the origionl story, snow white is a child but the film made her older. it is thought that the child grows into a woman during the poison sleep, proving she is not dead but not alive either away into the forest; I will no longer have her in my sight. Kill her, and bring me back her heart as a token."

The huntsman obeyed, and took her away; but when he had drawn his knife, and was about to pierce Snow-white's innocent heart originally the tale uses the lungs and liver instead of the heart. lungs=the spirit or the break and liver=seat of love or erotic desire, she began to weep, and said, "Ah dear huntsman, leave me my life! I will run away into the wild forest, and never come home again."

And as she was so beautiful the huntsman had pity on her and said, "Run away, then, you poor child." "The wild beasts will soon have devoured you," thought he, and yet it seemed as if a stone had been rolled from his heart since it was no longer needful for him to kill her. And as a young boar boar represents courage and lust just then came running by he stabbed it, and cut out its heart and took it to the Queen as proof that the child was dead. The cook had to salt this, and the wicked Queen ate it, and thought she had eaten the heart of Snow-white. the queen eating the heart was done as people believed by eating someones organ you would inherit their characteristics. she hoped she would aquire snow whites beauty

But now the poor child was all alone in the great forest a forest is always meant to be aa mysterious place in a fairytale. it is where the psychological growth occurs. it is a threshold to where the coul encouners the unknown to then come out and survive as a better person, and so terrified that she looked at every leaf of every tree, and did not know what to do. Then she began to run, and ran over sharp stones and through thorns, and the wild beasts ran past her, but did her no harm.

She ran as long as her feet would go until it was almost evening; then she saw a little cottage and went into it to rest herself. Everything in the cottage was small, but neater and cleaner than can be told.

When it was quite dark the owners of the cottage came back; they were seven dwarfs dwarfs are not developed sexually and live in an immature way. they were individualised in the film and so their meaning was lost. they represent the unconcious ad amoral force of nature where they mine and work close to earth who dug and delved in the mountains for ore. They lit their seven candles, and as it was now light within the cottage they saw that someone had been there, for everything was not in the same order in which they had left it.

When it was morning little Snow-white awoke, and was frightened when she saw the seven dwarfs. But they were friendly and asked her what her name was. "My name is Snow-white," she answered. "How have you come to our house?" said the dwarfs. Then she told them that her step-mother had wished to have her killed, but that the huntsman had spared her life, and that she had run for the whole day, until at last she had found their dwelling. The dwarfs said, "If you will take care of our house, cook, make the beds, wash, sew, and knit, and if you will keep everything neat and clean, you can stay with us and you shall want for nothing." "Yes," said Snow-white, "with all my heart," and she stayed with them. The girl was alone the whole day, so the good dwarfs warned her they are devoted and dont want trouble for her, they can feel that something bad is coming due to their connection with the earth and said, "Beware of your step-mother, she will soon know that you are here; be sure to let no one come in." snow white is tempted by the outside world and the need for a mirror and to look desirabile

But the Queen, believing that she had eaten Snow-white's heart, could not but think that she was again the first and most beautiful of all; and she went to her looking-glass and said --
"Looking-glass, Looking-glass, on the wall, Who in this land is the fairest of all?"
And the glass answered --
"Oh, Queen, thou art fairest of all I see, but over the hills, where the seven dwarfs dwell,
Snow-white is still alive and well, and none is as fair as she."

Then she was astounded, for she knew that the looking-glass never spoke falsely, and she knew that the huntsman had betrayed her, and that little Snow-white was still alive.

And so she thought and thought again how she might kill her, for so long as she was not the fairest in the whole land, envy let her have no rest. And when she had at last thought of something to do, she painted her face, and dressed herself like an old peddler-woman, and no one could have known her. In this disguise she went over the seven mountains to the seven dwarfs, and knocked at the door and cried, "Pretty things to sell, very cheap, very cheap." Little Snow-white looked out of the window and called out, "Good-day my good woman, what have you to sell?" "Good things, pretty things," she answered; "stay-laces of all colours," and she pulled out one which was braided from yellow, red, and blue silk. yellow represents the soul, red represents the body (blood) and blue-her intellect "I may let the worthy old woman in" thought Snow-white, and she unbolted the door snow white disobeys rule and lets her in. no psychological growth can happen till rules are broken and then larnt from them and bought the pretty laces. "Child," said the old woman, "what a fright you look; come, I will lace you properly for once." it is really interesting the first 'weapon' to kill snow white is by something which relates to her temptation to look visually appealing and relative to herbody. it is so she looses her breath which is her spirit Snow-white had no suspicion, but stood before her, and let herself be laced with the new laces. But the old woman laced so quickly and so tightly that Snow-white lost her breath and fell down as if dead.

"Now I am the most beautiful," said the Queen to herself, and ran away.
Not long afterwards, in the evening, the seven dwarfs came home, but how shocked they were when they saw their dear little Snow-white lying on the ground. They lifted her up, and, as they saw that she was laced too tightly, they cut the laces; then she began to breathe a little, and after a while came to life again. When the dwarfs heard what had happened they said, "The old peddler-woman was no one else than the wicked Queen; take care and let no one come in when we are not with you."

But the wicked woman when she had reached home went in front of the glass and asked --
"Looking-glass, Looking-glass, on the wall, who in this land is the fairest of all?"
And it answered as before --
"Oh, Queen, thou art fairest of all I see, but over the hills, where the seven dwarfs dwell, Snow-white is still alive and well, and none is as fair as she."

When she heard that, all her blood rushed to her heart with fear, for she saw plainly that little Snow-white was again alive. "But now," she said, "I will think of something that shall put an end to you," and by the help of witchcraft, which she understood, she made a poisonous comb. the next 'weapon' is another temptation to snow white for her to be beautiful-she is vain and very naive to think thats the most important thing Then she disguised herself and took the shape of another old woman. So she went over the seven mountains to the seven dwarfs, knocked at the door, and cried, "Good things to sell, cheap, cheap!" Little Snow-white looked out and said, "Go away; I cannot let any one come in." "I suppose you can look," said the old woman, and pulled the poisonous comb out and held it up. When they had made a bargain the old woman said, "Now I will comb you properly for once." Poor little Snow-white had no suspicion, and let the old woman do as she pleased, but hardly had she put the comb in her hair hair is a symbol of fertility and vertility but it nearly kills her than the poison in it took effect, and the girl fell down senseless.

The Queen, at home, went in front of the glass and said --
"Looking-glass, Looking-glass, on the wall, who in this land is the fairest of all?"
Then it answered as before --
"Oh, Queen, thou art fairest of all I see, but over the hills, where the seven dwarfs dwell, Snow-white is still alive and well, and none is as fair as she."

When she heard the glass speak thus she trembled and shook with rage. "Snow-white shall die," she cried, "even if it costs me my life!"

Thereupon she went into a quite secret, lonely room, where no one ever came, and there she made a very poisonous apple. apple represents knowledge-sexual knowledge, fertility and love. snow white would obviously be tempted due to her wanting to fall in love Outside it looked pretty, white with a red cheek, so that everyone who saw it longed for it; but whoever ate a piece of it must surely die.

When the apple was ready she painted her face, and dressed herself up as a country-woman, and so she went over the seven mountains to the seven dwarfs. She knocked at the door. Snow-white put her head out of the window and said, "I cannot let any one in; the seven dwarfs have forbidden me." "It is all the same to me," answered the woman, "I shall soon get rid of my apples. There, I will give you one."
"No," said Snow-white, "I dare not take anything." "Are you afraid of poison?" said the old woman; "look, I will cut the apple in two pieces; you eat the red cheek, and I will eat the white." But hardly had she a bit of it in her mouth than she fell down dead. the apple lodged in her throat means her speech is blocked removing her ability t articulate and be individual Then the Queen looked at her with a dreadful look, and laughed aloud and said, "White as snow, red as blood, black as ebony-wood! This time the dwarfs cannot wake you up again."

And when she asked of the Looking-glass at home --
"Looking-glass, Looking-glass, on the wall, who in this land is the fairest of all?"
It answered at last --
"Oh, Queen, in this land thou art fairest of all."
Then her envious heart had rest, so far as an envious heart can have rest.

The dwarfs, when they came home in the evening, found Snow-white lying upon the ground; she breathed no longer and was dead. died at the prepubescent age of the dwarfs and will be reborn as a woman They lifted her up, looked to see whether they could find anything poisonous, unlaced her, combed her hair, washed her with water and wine, but it was all of no use; the poor child was dead, and remained dead. They laid her upon a bier, and all seven of them sat round it and wept for her, and wept three days long.

Then they were going to bury her, but she still looked as if she were living, and still had her pretty red cheeks. They said, "We could not bury her in the dark ground," and they had a transparent coffin of glass made coffin is symbolising a chrysalis of a butterfly-waiting to emerge. coffin is glass to continue to be seen as an object of desire and beauty to men, so that she could be seen from all sides, and they laid her in it, and wrote her name upon it in golden letters, and that she was a king's daughter.

It happened, however, that a king's son came into the forest, and went to the dwarfs' house to spend the night. He saw the coffin on the mountain, and the beautiful Snow-white within it, and read what was written upon it in golden letters.

And now the King's son had it carried away by his servants on their shoulders. And it happened that they stumbled over a tree-stump, and with the shock the poisonous piece of apple which Snow-white had bitten off came out of her throat. And before long she opened her eyes, lifted up the lid of the coffin, sat up, and was once more alive. awakened into womanhood by a man "Oh, heavens, where am I?" she cried. The King's son, full of joy, said, "You are with me," and told her what had happened, and said, "I love you more than everything in the world; come with me to my father's palace, you shall be my wife."

And Snow-white was willing, and went with him, and their wedding was held with great show and splendour. But Snow-white's wicked step-mother was also bidden to the feast. When she had arrayed herself in beautiful clothes she went before the Looking-glass, and said --
"Looking-glass, Looking-glass, on the wall, who in this land is the fairest of all?"
The glass answered --
"Oh, Queen, of all here the fairest art thou, but the young Queen is fairer by far."

Themes

Vanity
-the mirror, the opinion was so sought after
-snow whie is wanting to be beautiful and goes to drastic ways to be enhanced
-body on display
-corset an comb
-eating of organs to inherit beauty
-boar represents desire
-beautiful from moment she was desired by mother-lips as red as blood, skin as white as snow, hair as black the wood

Rebirth
-re-emerging as a woman after death after learning and becoming wise

Growing Up
-moment of entering forest shes on a journey
-wants to be desirable
-ignoring moral advice to become wiser
-once transition of her learning complete she is awoken as a mture woman

Fairytale and Analysis Source

Sunday 4 April 2010

Little Red Riding Hood Analysis

Once upon a time there lived a sweet girl its made clear from the start, Red Riding Hood is a lovely girl, the fact shes too lovely is an issue later whom everyone loved as soon as they saw he, but most of all her grandmother, who was forever trying to find some new present to give her. Once she gave her a little hood of red velvet, a red riding hood often belonged to daughters of wealthy familes. the hood is also symbolic of menstruation and growing up. the colour red is also not only the colour of blood and death, but it's also a sexually suggestive colour, these small symbols set up the story, and connect everything that happens later and as it suited her so well and since she would wear no other, the only name she came to be known by was Little Red Riding Hood.

One day her mother said to her, 'here is a cake and a bottle of wine. I want you to take it to your grandmother, who is weak and poorly. It will make her much better. mother had good intentions Now set out before it gets too warm, and remember what your about, and don't stray from the path.'

Little Red Riding Hood's Grandmother lived some way out in the woods, and as the girl came to the woods, whom shold she meet but the wolf. a wolf is often a metaphor for a sexually predatory man But as she didn't know what a wicked creature he was, she wasn't in the least afraid of him. It is those who are unassuming who pursue young women at home and in the streets. And unfortunately, it is these gentle wolves who are the most dangerous ones of all.

'Good day, Little Red Riding Hood.' he said.
'And a good day to you.'
'Where are you off to so early, Little Red Riding Hood?'
'To Grandmother's.' shows naivity at telling a stranger where she is going
'What are you carrying in your apron?'
'Cake and wine. We did some baking yesterday, and we hope it will do my poor, weak grandmother good.' advertising how ill she is, making her a victim
'Where does your grandmother live, Little Red Riding Hood?'
'A good quarter of an hours walk further into the woods. Her cottage stands under three great oak trees, not far from some bushes which you'l easily recognise.' still much, much more infomation told to the wolf than is safe. she hasn't listened to her mothers moral advice

The wolf was thinking to himself, 'shes a nice tender young thing; she'll make a juicy mouthful, much tastier than the old woman. If I act with cunning, i'll be able to snap them both up.'

She ran off the path, wolf has distracted her by telling her to get flowers, little red riding hood is only too obliging. gradually getting herself into more and more trouble right into the woods and looked about for flowers. But once she had picked one, she thought she could see an even prettier one further away and then an even prettier one still further away. And so she plunged deeper into the woods.

But the wolf kept straight on in the direction of the grandmother's cottage. And when he got there, he knocked at the door.

'Who's there?'
'Little Red Riding Hood. I'm bringing you cake and wine.'

The wolf lifted the latch, the door sprang open, and in he went without saying a word to grandmothers bed, and gobbled her up. the eating of the grandmother, and later little red riding hood is seen as a metaphor for rape in the context of the wolf symbolising a sexually predatory man.

Little Red Riding Hood remembered the path back to grandmother's and wondered why the door was wide open.

She called out 'good morning!' But got no reply. So she went up to bed and drew back the curtains. There lay grandmother, her bonnet pulled low over her face, looking very strange indeed.

'Oh grandmother what big ears you have!'
'All the better to hear you with.'
'Oh grandmother what big eyes you have!'
'All the better to see you with.'
'Oh grandmother what big hands you have!'
'All the better to hold you with.' glimpse of the sexual side from the wolf's response 'to hold'
'But what terribly big teeth you have!'
'All the better to eat you with!'

And hardly were these last words out of the wolf's mouth when he sprang out of bed and gobbled up poor Little Red Riding Hood. it is recognised that the tale symbolises death and rebirth. red riding hood symbolises dawn and the wolf night

The wolf lay back once more in bed, fell asleep and started snoring very loudly. A huntsman who happened to be walking past just at that moment thought to himself, 'what a powerful snore that old lady has! I'd better go in and see if anythings wrong.' So he went into the house and as he approached the bed he saw the wolf lieing in it. 'I won't shoot he thought, i'll get a pair of scissors and open the wolf's belly when he is asleep.' And when he had made a few cuts he saw th gleam of Little Red Riding Hood, and after a few more cuts the girl jumped out crying, 'oh dear, how dark it was inside the wolf's belly!' And then the old randmothr stepped out, alive and well, though somewhat breathless.

Grandmother ate the cake and drank the wine that Little Red Riding Hood brought, and soon recovered her strength.

'As long as I live, i'll never again run off the path into the woods, and i'll always listen to what mother tells me.'

Story extracted from The Faber Book of Favourite Fairy Tales, Sara and Stephen Corrin, Faber and Faber, Pages 102-106.

Story analysis research

Important Themes and Symbols

Natural Cycles

-the red hood represents the sun, which is then swallowed by a terrible night (the wolf) once she is cut out of the wolf's belly, it becomes dawn again.

Sexual Awakening

-the red cloak can symbolise Little Red Riding Hood's maturity of becoming a woman from a girl. she goes onto brave the 'dark forest', not only literally but on her journey of growing up.

-the point of being eaten by the wolf symblises being raped

-being cut out the wolf's belly represents the final transformation of Little Red Riding Hood turning into a woman. she has been through the uneasy stage of growing up, and has matured.

Rebirth

-When the huntsman cuts open the wolf, Little Red Riding Hood is reborn. Foolish Little Red Riding Hood who was naive and irresponsible has been reborn as a new person and has now matured both physically and mentally.

The Wolf

'Children, especially attractive, well bred young ladies, should never talk to strangers, for if they should do so, they may well provide dinner for a wolf. I say "wolf," but there are various kinds of wolves. There are also those who are charming, quiet, polite, unassuming, complacent, and sweet, who pursue young women at home and in the streets. And unfortunately, it is these gentle wolves who are the most dangerous ones of all'. Quote

-Using the symbol of a wolf for a man is used in the modern day, and so translates in the story as to being a man on the prowl for a victim to take advantage of.

-At the time the story was written, it is also possible that there were a lot of wolf attacks in real life in the wilderness. So at the same time, they were written as a warning.

Source for Symbols and Themes



Initial Fairy Tale Research

Seeing as it's been about 12 years or so since i read the fairytales myself, I have refreshed my memory and read Alice in Wonderland, Sleeping Beauty, Cinderella, Beauty and the Beast, Pocahontus, Little Red Riding Hood, and Snow White.

I created mind maps of each story, listing the characters, storyline, and imagery from the story.
(these can be seen in my pull out sketchbook) I also added a small amount of imagery I have collected from artists, designers and stills from the film.

The story with the most artist interpretation was definitely Alice in Wonderland. But this probably has something to do with the new film by Tim Burton, so at the moment Alice in Wonderland is very fashionable.

Due to Alice in Wonderland being everywhere, I know that this will not be a story I shall analyse and work with, I'd rather work with a story which has been forgotten, it means I can truly bring it back in a new way. Alice in Wonderland has already been brought back in a new way.

I love all the stories, however I think the most visually rich and exciting hidden meanings will lie in Little Red Riding Hood. But, to clarify this, I shall look analyse some others too, and compare each story, and the content of them. I want to be confident in the Tale I choose to work with. I want there to be enough opportunities.

Project Proposal

Section 1:

‘Darkness In Disguise’


In fairy tales there are often hidden meanings which aren’t usually picked up unless you read in between the lines. These hidden aspects are usually very dark, creating a contrast between the happiness which is on the surface. I want to see if I can relate this contrast of life and death into art work, to subtly show to the viewer that there is more than meets the eye.


Firstly I want to explore fairytales so I can get an understanding of the underlying symbolisms and meanings. Knowing what’s beneath the surface of the stories, will open up more imagery allowing me to juxtapose contrasting elements from the stories together, to start communicating the ‘Darkness in Disguise‘.


I will then try and link the theory of underlying darkness to a non art related aspect. I will look at the unconscious mind, as your conscious mind doesn’t automatically register subtle details, such as the hidden meanings of a fairy tale. By researching into the unconscious mind, I may learn of theories which will be helpful with backing up my project.


I will then research into interesting artists that will compliment my symbols and imagery and inspire some artwork. I feel that a good art movement for me to consider looking into is surrealism. This is because if I am juxtaposing imagery together that is contrasting, it is automatically going to create a surreal situation, or an idea of dream or fantasy.


My artwork will be a fusion of imagery and concepts which indirectly link to the underlying darkness of a fairy tale, whilst relating to other non art related factors. I shall portray my work in a number of different ways. These will include drawing, painting, sculpture and printing. My aim is to create some interesting, contemporary surreal pieces which show a flip side, meaning there is more than what just meets the eye.


Section 2:

Influence’s for me are not only artists, but also from other segments of the creative industries, such as fashion advertising (Mulberry, Valentino..) and fashion photo shoots in high budget magazines such as Vogue. The clothing is also getting much more outrageous; with lots of imaginative, very surreal designs (Haus of Gaga, Alexander McQueen…) another influence to me is within music.


I firstly read the following books of fairy tales to refresh my memory and to set the project up:

'A First Book of Fairy Tales' by Mary Hoffman. Dorling Kindersley
'The Faber Book of Favourite Fairy Tales' by Sara and Stephen Corrin. Faber and Faber
'Little Red Riding Hood' by Ian Beck. Oxford University Press
'A Magical World of Fairy Tales' by Desmond Marwood. Brown Watson

I have also watched a few film interpretations:

Snow White and The Seven Dwarfs, Pocahontas and Alice In Wonderland.


To understand more of what lies beneath the surface of a selected fairytale, I will research into the meanings of the story. www.surlalunefairytales.com


I will visit a number of places to help me with my primary sources and inspiration:

The Bath Fashion Museum, Harrods, Pick Me Up: Contemporary Graphic Art Fair at Somerset House and my local woodland areas.


I will look into unconscious mind theories, from psychologists such as Freud and Lung.


Section 3:

I want my media, techniques and processes to be reflected from my artist research, however combined with my own twist. So my outcomes could be fashion based, a sculpture, photography, illustration or a print, depending on what inspires me. I’m open to many different mediums, but I would like to use a mixture of traditional with non traditional materials to hopefully add another contrast besides the actual imagery. For example dainty fragile materials for a dark, deathly illustration.

I would love to use ink and pencil to create some initial illustrations, and then develop them further with other materials or processes. I would love to experiment with screen printing, wire and photo shop manipulation.


I know that as part of my self promotion as well as my art work, I would like to make a series of limited edition zines, and I will also be documenting this whole project on my blog: www.katesmallshaw.blogspot.com. My blog will keep my ideas and artwork organised, so hopefully it can be more understood.


Section 4:

I will evaluate my project through annotations and feedback from the teachers and peers.